Exercise 4 & Polyrhythmic Ostinato 5

This video demonstrates how I take a rather simple exercise and make it more advanced by adding a polyrhythmic ostinato on top.
The exercise is made of 16 one-bar patterns that are played in sequence, each one being played four times.
The hi-hat plays a three-note ostinato that resolves every three beats or every three measures.

Designed to work on coordination in a groove context, this drum book is both innovative and rooted in tradition.Read more...

Review in Modern Drummer Magazine

"Fun, inspiring, and educational"

Great review of my book in the March 2019 issue of Modern Drummer Magazine!Read more...

Review in Drums & Percussion Magazine (from Germany)

There was a review in the February 2019 issue of Drums & Percussion Magazine from Germany. I will translate it soon!

Rhythmic Modulations

A short video to demonstrate some of the rhythmic concepts developed in my Time Manipulation Drum Book.

This is a clickless version:
This version has a click:
Time Manipulation Drum Book
Buy the English version: http://tinyurl.com/y6ua5pup
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Review in Sticks Magazine

There's a very good review of my Time Manipulation Drum Book in the September 2018 issue of the "Sticks" drum magazine from Germany.
Here is the review and as it is written in German of course, there's an attempt to translate it below:

Drum Textbook Classics
New edition of Alain Rieders Time Manipulation
Written by Axel Mikolajczak, 11 September 2018

In this extended, new edition of the textbook "Time Manipulation", first published in 1992 and available in English and French, the renowned drummer and author Alain Rieder introduces the world of the rhythmic effect of grooves in an innovative way.Read more...

The UK Drum Show 2018, Manchester, September 29 & 30

I'll be presenting my drum book at the UK Drum Show in Manchester, September 29 & 30.
Looking forward to meeting you there if you're attending, Time Manipulation will be on display at the Guru Drums booth, thanks to Andy Crosby. So come and visit us!
My page at The UK Drum Show
Guru Drums

10 Examples from Section 7

The book includes many examples with audio.
Here are 10 of the implied metric modulation examples from Section 7.


Cross-Rhythmic Exercise in 7/8 - 2

  • This coordination exercise is a three-measure cycle
  • There's an accent every three sixteenth notes.
  • I played the line twice as written, and then twice again but doubling the unaccented notes
  • I played a wood block with my left foot, but you can also play the hi-hat or the bass drum, or both.

Cross-Rhythmic Exercise in 7/8 - 1

  • This coordination exercise is a six-measure cycle
  • The accent pattern resolves every twelve sixteenth notes (and there's fourteen sixteenth notes in the measure).
  • I played the two lines once as written, and then once again but doubling the unaccented notes
  • I played a wood block with my left foot, but you can also play the hi-hat or the bass drum or both.

Time Manipulation - Section 7 - Rhythmic Modulations

Section 7 of Time Manipulation shows a number of polyrhythmic ostinatos examples, as well as metric and polymetric modulations.
The next three examples demonstrate implied metric modulations, which are to be played while continuing to feel the pulse of the first line.
In the first example, all the values of the first line are transformed into dotted values in the second one.Read more...

Time Manipulation - Section 5 - Basic & Polyrhythmic 12/8 Patterns

Section 5 of Time Manipulation Drum Book is in 12/8, and will let you work on both basic and polyrhythmic patterns.
This example shows Exercise 58, which is an application of the 3:2 polyrhythm. Additionally it sounds good!

Time Manipulation - Section 4 - Beat Displacements

Section 4 of Time Manipulation is meant to approach beat displacements in a simple and progressive way.
It includes three sets of seven exercises, and I feel they are one of the most interesting series of exercises in the book.Read more...

Time Manipulation - Section 3 - Anticipations

Section 3 of Time Manipulation is meant to work on anticipations.
Snare-drum and bass-drum notes that are played accented right before a beat, when they are followed by a rest, can be considered as being an anticipation of that beat.

Time Manipulation - Section 2 - Polyrhythmic Patterns

In Section 2 of Time Manipulation, new patterns are formed using some of the basic rhythmic figures seen in Section 1.
This is done in a musical way, using polyrhythms that are ubiquitous in many musical traditions, as well as in current styles.Read more...

Time Manipulation - Section 1 - Basic Patterns

The exercises in Section 1 of Time Manipulation include most rhythmic figures made of eighth notes and sixteenth notes, and of their equivalent rests.